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Chef Leah Chase on life, art and NOLA: A letter to the editor

via Nola.Com:

I thank you for including me and our family restaurant, Dooky Chase, within the pages that celebrate the 175-year history of The Times-Picayune and Gustave Blache III’s artistic rendering of me on the paper’s Feb. 8 front page. You and I have in common many things.

Cutting Squash.jpg
The National Gallery portrait of chef Leah Chase, Cutting Squash, by Gustave Blache III.

I have always prepared my mind to read the world as it is, but visualize it as it could be, a magnificently beautiful place. A world that appreciates art appreciates the unlimited potential of humankind. I push every day in the culinary arts as you, too, do in professional journalism to achieve the highest professional and artistic potential. However, as in the world also in metropolitan New Orleans, a competition exists between negative cultural influences and positive family influences on our children and on our work effort that concerns us both.

Sometimes, frustration sets in, the frustration that comes with the feeling that we are not moving fast enough to change things for the better. Sitll, working hard, doing for others and daily prayers, just being positive about life and being alive to tell about it and see it unfold before our eyes, always wins out and keeps us going.

I love New Orleans. I love its openness and the diversity of its people who seemed to have in common with me a joy of just being alive. I love the intermingling of different races and ethnicities of people, the different languages (seldom the King’s English) Creoles, Cajuns and others speak, and the fact that rich and poor do not separate themselves, that much, one from another. From my daily readings of The Times-Picayune, you seem throughout your history to like those things, too. However, both you and I are well aware of negative cultural influences that life in New Orleans does have on children. You work hard to portray that objectively and inspire us all to change and improve as I say, “by investing in the artistic excellence of people and in the education of neighborhood kids.”

Like you, I am determined to shelter children from all that is negative, yet to prepare them to deal with the real world and to develop in them a strong commitment to community, family and quality. The measure of our successes is not whether any of us (your editors, staff writers, workers and me) achieve fame or wealth in life, but whether we truly understand what it means to love and be part of one united family, one community striving to get better.

Over the years that each of us has been alive, your paper for over 175 years reporting history and me for nearly 90 just watching and reading about it, we each have come to realize that our rich cultural heritage is not focused at all on the price of things but on their artistic value.

I truly appreciate your professional reporting of Our Times, as we strive to grow and develop the New Orleans metropolitan area into that magnificently beautiful place we can one day become.

Leah Chase

New Orleans

30 people show up to discuss fate of cemeteries in spillway

The Army Corps of Engineers, which manages the 7,600-acre spillway, is looking for ways to preserve the cemeteries.
At the meeting in Destrehan on Wednesday night, some residents with ancestors buried in the two graveyards, including Margie Eugene-Richard, said they want the cemeteries, now named after the Kenner and Kugler families who owned the land, to be renamed to reflect the people who were buried there….

#nola 2012 New Orleans Jazz Fest poster featuring Trombone Shorty

#nola 2012 New Orleans Jazz Fest poster featuring Trombone Shorty


New Orleans, Louisiana.- The Ogden Museum of Southern Art is pleased to present “Jimmy Descant: The Shape of Louisiana Commenting on the Shape of Louisiana” on view at the museum from January 19th through April 8th 2012. Jimmy Descant (a.k.a. “the Rocketman”) is an assemblage artist known primarily for his use of found objects to create retro-futuristic rocket ships inspired by the quality of earlier craftsmanship, Art Deco, science fiction and the spirit of exploration and optimism prevalent in mid-century America. In The Shape of Louisiana Commenting on the Shape of Louisiana, Descant uses the shape of his native state as the foundation for a series of assemblages that speak to the cultural, political and natural environment of Louisiana in the wake of Hurricanes Katrina and Rita, the failure of the Federal levee system in New Orleans, and the BP Macondo well oil spill.

New Orleans, Louisiana.- The Ogden Museum of Southern Art is pleased to present “Jimmy Descant: The Shape of Louisiana Commenting on the Shape of Louisiana” on view at the museum from January 19th through April 8th 2012. Jimmy Descant (a.k.a. “the Rocketman”) is an assemblage artist known primarily for his use of found objects to create retro-futuristic rocket ships inspired by the quality of earlier craftsmanship, Art Deco, science fiction and the spirit of exploration and optimism prevalent in mid-century America. In The Shape of Louisiana Commenting on the Shape of Louisiana, Descant uses the shape of his native state as the foundation for a series of assemblages that speak to the cultural, political and natural environment of Louisiana in the wake of Hurricanes Katrina and Rita, the failure of the Federal levee system in New Orleans, and the BP Macondo well oil spill.

Esoterica: Also, Tiana IS a princess.

soydulcedeleche:

kyssthis16:

karnythia:

paradiscacorbasi:

karnythia:

anedumacation:

(in regards to this discussion)

She marries a Prince.

She has a big-ass fairy-tale wedding.

She lives extremely happily-ever-after.

Therefore: princess!

And I’d REALLY…

[@AFRS215: Ongoing conversation re: Princess Tiana of Disney’s Princess and the Frog.  We watched the movie in class.  Thoughts?]


Some Things Just Keep Getting Better With Age
 From the earliest notes of jazz to the struggle for Civil Rights,  New Orleans’ Tremé neighborhood has long been at the heart of the  African American experience. Now you can be at the heart of the  neighborhood’s 200th anniversary celebration! 
Purchase tickets to the Kick Off Jam Session November 5, 2011.  

[This date has passed but there are more events to come.  Visit treme2012.com for more details]

Some Things Just Keep Getting Better With Age

From the earliest notes of jazz to the struggle for Civil Rights, New Orleans’ Tremé neighborhood has long been at the heart of the African American experience. Now you can be at the heart of the neighborhood’s 200th anniversary celebration!

Purchase tickets to the Kick Off Jam Session November 5, 2011. 

[This date has passed but there are more events to come.  Visit treme2012.com for more details]

The Neoliberal Deluge Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans

The Neoliberal Deluge locates the root causes of the disaster of Katrina squarely in neoliberal restructuring and examines how pro-market reforms are reshaping life, politics, economy, and the built environment in New Orleans. The contributors argue that human agency and public policy choices were more at fault for the destruction and social misery experienced than were sheer forces of nature…

Chef Leah Chase on life, art and NOLA: A letter to the editor

via Nola.Com:

I thank you for including me and our family restaurant, Dooky Chase, within the pages that celebrate the 175-year history of The Times-Picayune and Gustave Blache III’s artistic rendering of me on the paper’s Feb. 8 front page. You and I have in common many things.

Cutting Squash.jpg
The National Gallery portrait of chef Leah Chase, Cutting Squash, by Gustave Blache III.

I have always prepared my mind to read the world as it is, but visualize it as it could be, a magnificently beautiful place. A world that appreciates art appreciates the unlimited potential of humankind. I push every day in the culinary arts as you, too, do in professional journalism to achieve the highest professional and artistic potential. However, as in the world also in metropolitan New Orleans, a competition exists between negative cultural influences and positive family influences on our children and on our work effort that concerns us both.

Sometimes, frustration sets in, the frustration that comes with the feeling that we are not moving fast enough to change things for the better. Sitll, working hard, doing for others and daily prayers, just being positive about life and being alive to tell about it and see it unfold before our eyes, always wins out and keeps us going.

I love New Orleans. I love its openness and the diversity of its people who seemed to have in common with me a joy of just being alive. I love the intermingling of different races and ethnicities of people, the different languages (seldom the King’s English) Creoles, Cajuns and others speak, and the fact that rich and poor do not separate themselves, that much, one from another. From my daily readings of The Times-Picayune, you seem throughout your history to like those things, too. However, both you and I are well aware of negative cultural influences that life in New Orleans does have on children. You work hard to portray that objectively and inspire us all to change and improve as I say, “by investing in the artistic excellence of people and in the education of neighborhood kids.”

Like you, I am determined to shelter children from all that is negative, yet to prepare them to deal with the real world and to develop in them a strong commitment to community, family and quality. The measure of our successes is not whether any of us (your editors, staff writers, workers and me) achieve fame or wealth in life, but whether we truly understand what it means to love and be part of one united family, one community striving to get better.

Over the years that each of us has been alive, your paper for over 175 years reporting history and me for nearly 90 just watching and reading about it, we each have come to realize that our rich cultural heritage is not focused at all on the price of things but on their artistic value.

I truly appreciate your professional reporting of Our Times, as we strive to grow and develop the New Orleans metropolitan area into that magnificently beautiful place we can one day become.

Leah Chase

New Orleans

konfusched:

paulagold:

Mardi Gras Indians - New Orleans, Louisiana

http://www.backstreetmuseum.org/ 

konfusched:

paulagold:

Mardi Gras Indians - New Orleans, Louisiana

http://www.backstreetmuseum.org/ 

30 people show up to discuss fate of cemeteries in spillway

The Army Corps of Engineers, which manages the 7,600-acre spillway, is looking for ways to preserve the cemeteries.
At the meeting in Destrehan on Wednesday night, some residents with ancestors buried in the two graveyards, including Margie Eugene-Richard, said they want the cemeteries, now named after the Kenner and Kugler families who owned the land, to be renamed to reflect the people who were buried there….

#nola 2012 New Orleans Jazz Fest poster featuring Trombone Shorty

#nola 2012 New Orleans Jazz Fest poster featuring Trombone Shorty


New Orleans, Louisiana.- The Ogden Museum of Southern Art is pleased to present “Jimmy Descant: The Shape of Louisiana Commenting on the Shape of Louisiana” on view at the museum from January 19th through April 8th 2012. Jimmy Descant (a.k.a. “the Rocketman”) is an assemblage artist known primarily for his use of found objects to create retro-futuristic rocket ships inspired by the quality of earlier craftsmanship, Art Deco, science fiction and the spirit of exploration and optimism prevalent in mid-century America. In The Shape of Louisiana Commenting on the Shape of Louisiana, Descant uses the shape of his native state as the foundation for a series of assemblages that speak to the cultural, political and natural environment of Louisiana in the wake of Hurricanes Katrina and Rita, the failure of the Federal levee system in New Orleans, and the BP Macondo well oil spill.

New Orleans, Louisiana.- The Ogden Museum of Southern Art is pleased to present “Jimmy Descant: The Shape of Louisiana Commenting on the Shape of Louisiana” on view at the museum from January 19th through April 8th 2012. Jimmy Descant (a.k.a. “the Rocketman”) is an assemblage artist known primarily for his use of found objects to create retro-futuristic rocket ships inspired by the quality of earlier craftsmanship, Art Deco, science fiction and the spirit of exploration and optimism prevalent in mid-century America. In The Shape of Louisiana Commenting on the Shape of Louisiana, Descant uses the shape of his native state as the foundation for a series of assemblages that speak to the cultural, political and natural environment of Louisiana in the wake of Hurricanes Katrina and Rita, the failure of the Federal levee system in New Orleans, and the BP Macondo well oil spill.

Esoterica: Also, Tiana IS a princess.

soydulcedeleche:

kyssthis16:

karnythia:

paradiscacorbasi:

karnythia:

anedumacation:

(in regards to this discussion)

She marries a Prince.

She has a big-ass fairy-tale wedding.

She lives extremely happily-ever-after.

Therefore: princess!

And I’d REALLY…

[@AFRS215: Ongoing conversation re: Princess Tiana of Disney’s Princess and the Frog.  We watched the movie in class.  Thoughts?]


Some Things Just Keep Getting Better With Age
 From the earliest notes of jazz to the struggle for Civil Rights,  New Orleans’ Tremé neighborhood has long been at the heart of the  African American experience. Now you can be at the heart of the  neighborhood’s 200th anniversary celebration! 
Purchase tickets to the Kick Off Jam Session November 5, 2011.  

[This date has passed but there are more events to come.  Visit treme2012.com for more details]

Some Things Just Keep Getting Better With Age

From the earliest notes of jazz to the struggle for Civil Rights, New Orleans’ Tremé neighborhood has long been at the heart of the African American experience. Now you can be at the heart of the neighborhood’s 200th anniversary celebration!

Purchase tickets to the Kick Off Jam Session November 5, 2011. 

[This date has passed but there are more events to come.  Visit treme2012.com for more details]

The Neoliberal Deluge Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans

The Neoliberal Deluge locates the root causes of the disaster of Katrina squarely in neoliberal restructuring and examines how pro-market reforms are reshaping life, politics, economy, and the built environment in New Orleans. The contributors argue that human agency and public policy choices were more at fault for the destruction and social misery experienced than were sheer forces of nature…

Chef Leah Chase on life, art and NOLA: A letter to the editor

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